I could hardly be the first person to wonder about that. But is there a parallel in something that people have begun to notice in India?
For example, in Being Indian, the writer/bureaucrat Pavan Varma muses about the explosion of interest in Bollywood music over the last several years. He thinks it is because film music has finally come off the pedestal of being based in classical styles, so in a sense intellectually less approachable by more ordinary folk. Today's film songs tend to be simpler both musically and lyrically than they used to be: heavy rhythm, lots of bass, not particularly profound lyrics.
And with that, look what's happened. The purists and old-timers scoff, reminiscing about the tunes and words of the greats of the past -- Saigal, Sahir, OP Nayyar, Naushad and more. Yet the songs themselves are enormous hits with the famous "common" man, and especially the youth: played incessantly on FM and by countless hopeful bands (they call them "orchestras"); the vehicle on which shows like Indian Idol and Nach Baliye ride through TV season after successful TV season; lip-synced -- that peculiarly Indian talent -- by millions of pre-teens prancing on stages while being applauded by adoring parents.
And of course, the industry -- songwriters to music directors, at least the big guys -- are laughing in time to their music, but all the way to the bank.
"Dumbed down" is entirely the wrong phrase for what's happened to Indian film music. But there's certainly a heightened, widened appeal that's no longer restricted to people who know their musical styles.
Could something like this explain country? Meaning, perhaps country has managed to find styles and lyrics that are just more likely to appeal to people in this stretch of the States. To touch a chord, pun intended, in these parts. Maybe in the North they pride themselves on more intellectual music, and country just seems simple-minded in comparison. Whereas in the broadly less-educated South (I know that's a generalization, I'm casting about for answers here) maybe there are less such pretensions, just an appreciation for music you can listen to and dance to, maybe even laugh at, without much of a thought.
Maybe that explains the simpler chord structures, the more homely lyrics, of country. No need to go on about answers that blow in the wind, or sound off silently over softly creeping visions that leave their seeds while I'm sleeping.
Take instead Rodney Atkins, telling us in Watching You about his son eating in the car (full lyrics and a clip here):
- Driving through town just my boy and me
With a happy meal in his booster seat
Knowing that he couldn't have the toy
Till his nuggets were gone
Green traffic light turned straight to red
I hit my brakes and mumbled under my breath
As fries went a flying and his orange drink covered his lap
Well then my four year old said a four letter word
That started with "s" and I was concerned
So I said son now where did you learn to talk like that?
- Babysitter said seven
She's fifteen minutes late
Jimmy's still playing in the bath
Cold macaroni on his plate
And I still haven't done my hair
I hate doin' my hair
It never comes out right
I must have changed my clothes
A half a dozen times
Ended up in this little black dress
I had to mend the hemline
And now I can't find my shoes
I can never find my shoes
God I hate this.
Hit the road, Jack, and hey, what you see is what you get. That's the country secret, and I confess that I'm growing to like it, and I'll get off my high horse now thank you kindly. Time to eat, and y'all come back again, y'heah?